Xpresso Tours Presents the COVER REVEAL of Mia Kerick’s The Scarecrow & George C

 

Welcome to the cover reveal for The Scarecrow & George C! Xpresso Tours has organized this day with the author, Mia Kerick, who is hosting a Rafflecopter giveaway to celebrate. Check the link at the end of today’s reveal for your chance to win a $10 Amazon gift card.

 

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The Scarecrow & George C by Mia Kerick

Published: 3 June 2019

Genre(s): Contemporary/LGBTQ+/New Adult/Romance

High school senior Van Liss is barely human. He thinks of himself as a scarecrow—ragged and unnerving, stuck, and destined to spend his life cold and alone. If he ever had feelings, they were stomped out long ago by his selfish mother and her lecherous boyfriend. All he’s been left with is bitter contempt, to which he clings.

With a rough exterior long used to keep the world at bay, Van spooks George Curaco, the handsome new fry cook at the diner where he works. But George C senses there is more to the untouchable Van and refuses to stop staring, fascinated by his eccentricity. When Van learns that George C is even more cold, alone, and frightened than himself, Van welcomes him to his empty home. And ends up finding his heart.

Their road to trust is rocky and, at times, even dangerous. And looming evil threatens to keep them apart forever.

Fair warning: You may want to strap in. It’s going to be a bumpy ride.

*All proceeds of this book go to charity: True Colors United. 

“True Colors United implements innovative solutions to youth homelessness that focus on the unique experiences of LGBTQ young people.”

 

About the Author

 

Mia Kerick is the mother of four exceptional children—one in law school, another a professional dancer, a third studying at Mia’s alma mater, Boston College, and her lone son, heading off to college. (Yes, the nest is finally empty.) She has published more than twenty books of LGBTQ romance when not editing National Honor Society essays, offering opinions on college and law school applications, helping to create dance bios, and reviewing scholarship essays. Her husband of twenty-five years has been told by many that he has the patience of Job, but don’t ask Mia about this, as it’s a sensitive subject.

Mia focuses her stories on the emotional growth of troubled people in complex relationships. She has a great affinity for the tortured hero in literature, and as a teen, Mia filled spiral-bound notebooks with tales of tortured heroes and stuffed them under her mattress for safekeeping. She is thankful to her wonderful publishers for providing her with an alternate place to stash her stories.

Her books have been featured in Kirkus Reviews magazine, and have won Rainbow Awards for Best Transgender Contemporary Romance and Best YA Lesbian Fiction, a Reader Views’ Book by Book Publicity Literary Award, the Jack Eadon Award for Best Book in Contemporary Drama, an Indie Fab Award, and a Royal Dragonfly Award for Cultural Diversity, a Story Monsters Purple Dragonfly Award for Young Adult e-book Fiction, among other awards.

Mia Kerick is a social liberal and cheers for each and every victory made in the name of human rights. Her only major regret: never having taken typing or computer class in school, destining her to a life consumed with two-fingered pecking and constant prayer to the Gods of Technology. Contact Mia at miakerick@gmail.com or visit at http://www.miakerickya.com to see what is going on in Mia’s world.

 

Website / Goodreads / Facebook / Twitter

 

GIVEAWAY

 

One winner will receive a $10 Amazon Gift Card.

A Rafflecopter Giveaway

 

 

 

 

 

 

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Review: Sawkill Girls by Claire Legrand

Ho ho ho, was this an amazing book. 😮 The characters were engaging, the plot intense. Sawkill was also creepy, character driven, a bit gorey at times. Claire Legrand has written one of my favorite novels of the year in this book with three of the most interesting girls (Marion, Val, and Zoey) who are also engaging in their exploration of their agency, their identities, their loves. Who they are, who they’ve been made by others and who they make themselves before the last page turns, will be an amazing story to read.

 

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Published: 2 October 2018

Publisher: Katherine Tegen Books

Category: Young Adult/Fantasy/Horror/LGBT+

Sawkill Girls is a frightening stand-alone contemporary teen horror novel about three girls who take on an insidious monster that preys upon young women. 

Who are the Sawkill Girls?

Marion: The newbie. Awkward and plain, steady and dependable. Weighed down by tragedy and hungry for love she’s sure she’ll never find.

Zoey: The pariah. Luckless and lonely, hurting but hiding it. Aching with grief and dreaming of vanished girls. Maybe she’s broken—or maybe everyone else is.

Val: The queen bee. Gorgeous and privileged, ruthless and regal. Words like silk and eyes like knives; a heart made of secrets and a mouth full of lies.

Their stories come together on the island of Sawkill Rock, where gleaming horses graze in rolling pastures and cold waves crash against black cliffs. Where kids whisper the legend of an insidious monster at parties and around campfires. Where girls have been disappearing for decades, stolen away by a ravenous evil no one has dared to fight…until now.

Rating: 5 Stars

Rep: Asexual Biracial MC, Bisexual MC, Lesbian MC

CW: animal death (not a pet), scenes that may be disturbing but especially to those with arachnophobia (spiders)/entomophobia (bugs)/mottephobia (moths specifically)/lepidopterophobia (butterflies/moths), parental abuse (physical), anti-asexual commentary, violence, blood, gore

It was interesting, the journey that Claire took me on as a reader with the characters. First impressions for Val were altered as motivations and context were introduced. Situational privilege and keen determination for Zoey built her into a strong lead that fascinated me as she contended with a dismissive town, her personality identity vs feelings for her ex, and her relationship to/with Val. Marion was an emotionally heavy character: so much pain, so much responsibility heaped upon her by death and abandonment. It was heartbreaking and numbing to witness this beginning, but witnessing her journey from this place to where she ends up was mind blowing.

Another character that was fascinating to see on the page, limited though its voice on the page was, was Sawkill itself. The multiple points of view alternated between Marion, Val, and Zoey, but there were a few from Sawkill Rock itself that offered insight into the history of the island, including the missing girls and all that that situation entails, that was a perfect offset to the human stories that were the majority.

There were scenes in this book that were, at times, difficult to read. Whether it was a scene with gore (one of the girls being witness to bodies torn apart), a horse flinging itself of a cliff, rampant misogyny, this book pulls no punches. Claire Legrand’s unflinching writing does not shy away from the rawness of these scenes and despite feeling squeamish at times, I appreciated how well crafted they were.

The way agency was handled, the various was it was talked about being taken and altered and regained, it was intense. Val and Marion and Zoey, not to mention the numerous girls of Sawkill that disappeared over the decades, lose so much and fight to take it back. The adults in this book are… *heavy sigh* These young adults are done and they prove it with their sheer them-ness: their power, their will, their minds. They fight for their friends, each other, themselves, while the adults are so ready and willing to move on.

Utterly atmospheric, impossible to put down, a bone deep chilling read, Sawkill Girls is a horror novel that achieves multiple layers of immense power for setting, character, and tone that I recommend to fans of the genre and beyond.

 

 

 

 

 

I received a copy of this book from the publisher in exchange for an honest review. Quotes included are from an advanced reader copy and may not reflect the finalized copy.

All media belongs to the respective owners and is used here solely for the purpose of review and commentary.

 

Review: Hello Girls by Brittany Cavallaro & Emily Henry

When the world keeps kicking you and kicking you, and especially when that world is your own family, there comes a time when you say ENOUGH. For Winona and Lucille, each day has gotten rougher, whether it’s an abusive father or a neglectful mother and abusive brother. Enough is far more than enough.

HELLO GIRLS is the story of Winona and Lucille taking their strength into their own hands, stealing Winona’s grandfather’s Alfa Romeo convertible, and hitting the road to find whether that power will take them. From casinos to the fourth best truck stop in the U.S., through the fears and doubts and worries, they’ll have a lot to contend with, but always by their side is each other.

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Published: 6 August 2019

Publisher: Katherine Tegen Books

Category: Young Adult/Contemporary

Best friends are forged by fire. For Winona Olsen and Lucille Pryce, that fire happened the night they met outside the police station—both deciding whether to turn their families in.

Winona has been starving for life in the seemingly perfect home that she shares with her seemingly perfect father, celebrity weatherman Stormy Olsen. No one knows that he locks the pantry door to control her eating and leaves bruises where no one can see them.

Lucille has been suffocating beneath the needs of her mother and her drug-dealing brother, wondering if there’s more out there for her than disappearing waitress tips and generations of barely getting by.

One harrowing night, Winona and Lucille realize they can’t wait until graduation to start their new lives. They need out. Now. All they need is three grand, fast. And really, a stolen convertible to take them from Michigan to Las Vegas can’t hurt.

Rating: 4 Stars

CW: drinking (underage), drugs/drugging people against their will, possible eating disorder related talk, poverty, parental neglect, abuse by a parent

Holy crap did this book go on a whirlwind. It was a fast read because I could Not. Put. It. Down! ❤

There’s a lot of bad stuff that happens in this book, let’s be honest about that right away. Winona has an abusive father who is the kind of man that has a very perfect public persona (the dude is a weatherman with his own theme song, for crying out loud). He’s emotionally, physically, verbally abusive. Any interaction with him in this book sent chills down my spine.

Lucille’s brother is a drug addict and a drug dealer. He works for even scarier people and steals from Lucille, among other despicable treatment. Add to this a (possibly) loving but entirely neglectful mother who sides with this scumbag of a brother and Lucille is also in a bad situation.

Their strength comes from within and from each other. The insane things they get up to, from stealing a car to running away to a few other illegal activities along the way, just left you never quite knowing what turn they’d take next. Even as it was obvious that certain things, certain people, would need to be dealt with at the end, it was still so invigorating watching Winona and Lucille, quite literally, take the wheel.

There was some stuff that wasn’t quite copacetic. At one of their stops along the ways, Winona and Lucille meet up with Silas. Long story short, needing money, they and Silas comes up with a scheme in which Silas lures strange men back to his hotel room under the premise that they’ll be sleeping with the girls, but then Winona and Lucille drug them. Silas then drags the men away and dumps them somewhere. The whole scheme being dangerous as hell aside, given that they’ve known Silas for a couple hours maybe, the drugging people against their will is pretty ick.

Aside from a plot hole/twist hole near the end that I can’t really figure out, I enjoyed the book overall. There was, aside from the aforementioned shit that these girls go through before the book even starts, heartbreak. Friends can suck, family can suck, hell, just being can suck.

Do people deserve second chances? That’s a hard question to answer. What Winona and Lucille have to figure out on this trip is what and more importantly who matter in their lives and where that path is going to lead them in a world that is constantly trying to box them in.

 

“We’re not the Virgin Mary, but we’re not the Whores, either. They tried to make us into them, to box us in, and maybe at some point we fit where they wanted us, but they pushed too hard and we’re not those girls anymore. I’m not. God, Lucille, people like Stormy and Silas and Marcus take whatever they want, and for years—for our whole lives!—we’ve just let them. Well, guess what? I want things. I want something that’s just mine, that I took and kept. Don’t you? I mean, honestly, Lucille, don’t you?”

 

 

 

 

 

 

I received a copy of this book from the publisher in exchange for an honest review. Quotes included are from an advanced reader copy and may not reflect the finalized copy.

All media belongs to the respective owners and is used here solely for the purpose of review and commentary.

 

Audiobook Review: The Travelling Cat Chronicles by Hiro Arikawa (Author), Philip Gabriel (Translator), George Blagden (Narrator)

If you’re a fan of road trip novels but ever wondered what it would be like if one of the participants was a cat, you may want to check out The Travelling Cat Chronicles. Satoru and Nana, companions for several years, must now set out in a silver van to find a new home for Nana. Visiting the homes of some childhood friends, histories unfold and how much of ourselves is imprinted on those we leave behind as we move on, through life and beyond, human or animal, is conveyed in this beautiful written, translated, and spoken novel.

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Published: 23 October 2018 (first published 1 November 2012)

Publisher: Penguin Random House Audio Publishing Group

Category: Fiction/Cultural (Japan)/Contemporary/Animals

It’s not the journey that counts, but who’s at your side.

Nana, a cat, is devoted to Satoru, his owner. So when Satoru decides to go on a roadtrip one day to find him a new home, Nana is perplexed. They visit Satoru’s old friends from his school days and early youth. His friends may have untidy emotional lives but they are all animal lovers, and they also wonder why Satoru is trying to give his beloved cat away. Until the day Nana suddenly understands a long-held secret about his much-loved owner, and his heart begins to break.

Narrated in turns by Nana and by his owner, this funny, uplifting, heartrending story of a cat is nothing if not profoundly human.

Rating: 5 Stars

CW: car accident resulting in gruesome injury to an animal, death of parents, miscarriage, misogyny

The book is full of passages that may be quite familiar to many a cat lover, especially those that assist strays. When Satoru takes Nana in after a bad accident necessitates a lengthy recuperation, Nana assumes he’ll have to return to the streets. There’s a poignant moment, though, when he observes a look on Satoru’s face.

Satoru didn’t look worried so much as forlorn. The same way he seemed about the furniture and the rug. It’s not totally off limits, but still … That sort of expression. “Do you still prefer to live outside?” Hang on now—enough with the teary face. You look like that, you’ll start making me feel sad that I’m leaving. And then, out of the blue: “Listen, Cat, I was wondering if you would become my cat.”

While the story is told from the cat’s point of view, the moment in which this happens and Satoru hesitantly asks whether Nana might consider becoming *his* cat resonates in the heart of a cat loving reader. If you’ve ever left a treat outside or tried to endear a strange cat, there’s a familiar moment to this where you hope that they’ll stay and a familiar moment where you’re afraid they’ll go forever.

After the beginning, in which the union of Satoru and Nana is witnessed, five years pass. Their relationship is a close one, but a time comes when they must undertake the journey that gives Nana his titular name. It isn’t immediately clear while this journey, meeting these old friends of Satoru from three stages of his life, is necessary, lending the narrative a sense of overhanging foreboding.

As Satoru spends time at three potential homes, those of Kosuke, Yoshimine, Sugi & Chikako, and tries to decide whether they’d make a good home for Nana, details are revealed about his past and that of the potential caregivers. There are some dubious feelings to be had, such as the first stop with Kosuke, who considers adopting Nana as a way to reconcile with his wife and tempt her home after a separation.

He began to wonder if his wife, a true cat lover, might actually come home if he took in the cat. Perhaps if he told her he had adopted the animal but didn’t know how to look after it and begged her to help, perhaps she would come back solely out of sympathy for the cat.

The story he reminisces about with Satoru, however, reveals so much more than this first impression. The same could be said about each story. The book isn’t just about finding Nana a new home. It, through Satoru’s friendships, these potential new homes, is about the expectations our parents put on us, what we hold onto of those expectations into our adulthoods, even if there are toxic elements. It’s about learning to let go and move on to hopefully healthy futures and relationships.

The overall work was excellent, but there are moments where Satoru shows particular affection for Nana, as the quote above when he was saddened when it looked as though Nana would leave him for the life of a stray once more, or when Nana, when comforting Satoru’s aunt Noriko, acts out in a way that highlights just how much he understands the depths of human emotion.

“EEEEK! Nana! You did it again!”

I’d removed every single tissue from the box and was sitting quietly in the corner contemplating the result of my actions.

“You don’t use them, so why take them out?”

Good point. But as you focus on your anger and on tidying up the floor, don’t all your sad feelings begin to lift a bit?

“What a waste! What a complete waste!” Noriko muttered as she strutted around picking up the tissues, but then, as if letting out a soft puff of air, she laughed.

George Blagden, the narrator, does exceptional work when choosing the different voices for the cast, from a slightly superior tone for Nana to a raspy voice for an elderly man Satoru & Nana meet at a a service station while on one of their road trips. There was never any trouble distinguishing between the characters, human or animal, his tonal work was another thing.

The quality of the recording was very good. The narrator, as stated, did well with his characterizations, but was also very good with enunciations, clarity, and so forth. There were no moments of scratchiness evident, making the listening experience very smooth. There was no background music, simply the voice of the single narrator telling the story in the quality as stated above.

There’s a scene where (pardon my crypticness for a moment, it would be too much of a spoiler to be more explicit) Nana is going through something quite emotional. That heartbreaking scene, where Nana is speaking out and the reader can understand the words while any human within the story cannot…the sheer importance and devastating nature of the scene, combined with the emotion that George Blagden puts behind his portrayal, makes it intense and heartbreaking.

Hiro Arikawa’s novel about the relationship between Nana and Satoru, about the lasting effect that each has not only on each other but those around them, is a fulfilling, amazing book that I could read again and again, even knowing that my heart will great wrecked each and every time.

 

My story will be over soon. But it’s not something to be sad about. As we count up the memories from one journey, we head off on another. Remembering those who went ahead. Remembering those who will follow after. And someday, we will meet all those people again, out beyond the horizon.

 

 

 

 

I received an e-copy of this book from the publisher in exchange for an honest review and secured my own copy of the audiobook. The quotes within are from the advanced reader copy and may not reflect the finalized copy.

All media belongs to the respective owners and is used here solely for the purpose of review and commentary.

 

Book Fairs of the World

What do book lovers enjoy doing almost as much as reading their favorite stories? Finding other people who love them just as much and talking about them. Dissecting our favorite stories, figuring out our favorite characters, untangling plot threads, and more are all part and parcel of being fans of the written word. One of the places that we can congregate with each other is at a book conventions/fairs.

The Kotobee Blog reached out to me recently about a post that they’d put together featuring book fairs from around the world. Six out of seven continents (there’s hope for Antarctica, but none so far!) feature at least a few books fairs throughout the year. By checking out this post, searchable worldwide chronologically or by clicking on the continent icon you’d like, you can see which are yet to come in the rest of 2019.

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Thank you once more to the staff at Kotobee for reaching out regarding this blog’s summary of International Book Fairs. It was a pleasure to peruse the post and see not only celebrations of books that took place and will take place near(ish) to me, but to book lovers around the world.

International Book Fairs 2019

Have you attended any of the fairs on the Kotobee Blog’s list? The closest I’ve come personally is Book Expo America (BEA) in New York, when I went to Book Con (the day after). One day, though, I hope to go to BEA itself. 😀 Please share your personal experience with book fairs, wherever in the world the experience took place, in the comment section down below.

Once again thank you to Reem and the people behind Kotobee for curating the International Book Fair post, as well as the graphic shared here today, so that you all can search for a possible new to you event to attend in the future. 🙂 Hopefully there will be many exciting reads making their ways into your bags at these fairs!

All media belongs to the respective owners and is used here solely for the purpose of review and commentary.

A YA Book Blog Tour – In the Neighborhood of True by Susan Kaplan Carlton

An intense, familiar, heart breaking novel about choice, morality, and family, In the Neighborhood of True is the story of Ruth, a young teen girl who is faced with a complex web of action, feeling, racism, and anti-Semitism when she and her family move to 1950’s Atlanta after the death of her father.

What is justice, right or wrong, and who is she to decide whether to stand up? Reading Ruth’s story as she figures out who she is, what her strength is and what she will do with it, is a mighty important tale from Susan Kaplan Carlton. I want to thank Brittani Hilles from Algonquin Books & Algonquin Young Readers for reaching out to me & giving me the chance to review this book.

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Published: 9 April 2019

Publisher: Algonquin Young Readers

Category: Historical Fiction/Young Adult

A powerful story of love, identity, and the price of fitting in or speaking out.

After her father’s death, Ruth Robb and her family transplant themselves in the summer of 1958 from New York City to Atlanta—the land of debutantes, sweet tea, and the Ku Klux Klan. In her new hometown, Ruth quickly figures out she can be Jewish or she can be popular, but she can’t be both. Eager to fit in with the blond girls in the “pastel posse,” Ruth decides to hide her religion. Before she knows it, she is falling for the handsome and charming Davis and sipping Cokes with him and his friends at the all-white, all-Christian Club.

Does it matter that Ruth’s mother makes her attend services at the local synagogue every week? Not as long as nobody outside her family knows the truth. At temple Ruth meets Max, who is serious and intense about the fight for social justice, and now she is caught between two worlds, two religions, and two boys. But when a violent hate crime brings the different parts of Ruth’s life into sharp conflict, she will have to choose between all she’s come to love about her new life and standing up for what she believes.

Rating: 4 Stars

CW: underage drinking, anti-Semitism

Taking place in 1959, there was a lot of particularly time period sentiments that were blood boiling in their existence. From Mr. Hank (Ruth’s grandfather) brushing aside his daughter, Ruth’s Mother, desire & passion regarding covering important news stories because his paper “needs men to hop on those stories”, to the decorum rules that Ruth and her peers are having drummed into them, there a quite a few occurrences of tongue biting in the reading of this book. These pale next to the religious bigotry that begin in vocal asides and snowball into horrible actions as the story continues.

A terrifying thought is that there are echoes of sexist & religiously intolerant practices, if not worse ones, in our current atmosphere. It was saddening to read about the past & realize what’s changed and what we only think has. From larger scale things to the micro acts throughout, Carlton took care to craft a story that didn’t neglect the layers of life.

Ruth, the main character and whose lense everything is filtered through, is a complicated girl. She is a teenager going through complex emotions that would be hard enough at any time in history but especially so given the events, historical and personal, going on around her.

As the daughter of a Jewish father and a mother who converted from Christianity, there’s a pull as to what she should be loyal to. When her family, after the death of her father, moves from New York City to her mother’s hometown of Atlanta and into the guest home of her grandparents, there’s an entire atmosphere of anti-Semitism to contend with. Ruth wants to belong, a reasonable thing, but what will that cost?

There are choices she has to make along the way that show what she may or may not be betraying in regards to her own moral compass, consciously or not, as well as what she’s not really seeing going on around her (i.e. hearing about integration protests on the radio but dismissing them when she realizes the report doesn’t contain any names she recognizes).

Carlton’s characterization strength extends to setting. From details regarding fashion to the way Mr. Hank has a wireless set up to receive news reports in his home, the 1950’s were exquisitely portrayed on the page. Once sunken into the story, admittedly as explained above there were the difficult choices and topics to contend with, but as well written as the book was, it was one that on multiple sides made it one that I didn’t want to put down.

 

General Q&A With the Author

 

1. How did you write TRUE? All at once or did you outline the story?

I’m not an outliner, and it took me a long time (a year, if I’m being honest) to find the beating heart of this book. Once I figured out what the story was about—falling so in love with a boy, or a place, that you risk losing yourself…and learning to stand up for what you believe in even when it’s hard and heart-breaking—I wrote straight through.

 

2. What was the most surprising thing you learned in creating your characters? Which of your characters do you most identify with, and why?

I love my main character Ruth. She’s shallow and she knows it (obsessed with fashion and frippery and the magazine Mademoiselle) but she’s discovering that she also runs deep. A couple of years ago, the novelist Chimamanda Ngozi Adichie wrote a great essay for ELLE defending why smart women can love fashion. And I love that (and her). We are all so much more than one thing.
3. What gave you the idea for TRUE?

The roots of the story are deeply personal. Our family had just moved to Atlanta and joined a synagogue. We were still new to town when our youngest daughter announced she’d learned that the classroom she spent every Sunday morning in had been the site of a bombing 50 years before. That stayed with me—the idea that the walls that held these kids had once been blown apart. In the Neighborhood of True is a response to that bombing in 1958, retribution for the rabbi’s involvement in civil rights. The book is horrifying timely in a way I never could have imagined. You can draw a line from Atlanta in 1958 ….to Charlottesville in 2017….to Pittsburgh in 2018…to Christchurch two months ago.

 

So, there’s that important seed of the story. And then, as I was writing Ruth and her various lies of omission about her religion, I remembered my college boyfriend asking me to not tell his grandfather that I was Jewish…he just wanted the man to like me, he said. And, unbelievably, I agreed. That’s the question I found myself puzzling over—why was I so quick to hide who I was for this boy I loved?

 

4. Do you have a favourite scene, quote, or moment from TRUE?

It takes my main character, Ruth, a long time to find her voice in Atlanta, circa 1958. At first she’s so seduced by the dresses and the debutante parties (and a dimpled boy) that she keeps quiet about who she is.

On Ruth’s first official date with Davis, she’s trying to figure out how much of herself to reveal. I like this scene between them after seeing the movie Vertigo.

“I like Hitchcock,” I said.

“Me too. Bet you like one of the Janes—Eyre or Austen.”

“Please. Give me some credit. I like . . . I love . . . Truman Capote.” Actually, Sara liked Truman Capote. But last year, Mademoiselle had published one of his short stories, so that was something.

“I should read him then.”

The thought of Davis doing something because I loved it was sort of exhilarating. “I don’t really love him,” I said, wanting to tell the truth when I could. “I just read one story of his about Christmas, and it was depressing as dirt.”

“Ah, so in the neighborhood of true.” Davis one-dimpled me. “That’s what we say when something’s close enough.”

 

5. If you could tell your younger writing self-anything, what would it be?

I would tell my younger self not to be so judge-y. My first drafts are a hot mess. I wonder a thousand times an hour if there’s anything of worth on the page. And I’m kind of slow. I have to write all the way to the end to figure out what I’m trying to say. But then the revision starts, and I cut all the dreck, and things start looking up.

 

6. What is on your current TBR pile?

Sooooo many books, but here are my top five!

 

  • White Rose by Kip Wilson (a gorgeous novel in verse about Sophie Scholl and a nonviolent resistance group that challenged the Nazis)

 

  • Internment by Samira Ahmed (every single writer I respect has been raving about this novel set in the near-future with internment camps for Muslim-Americans)

 

  • Bright Burning Stars by AK Small (ballet and Paris—yes, please)

 

  • The Stationery Shop by Marjan Kamali (this historical fiction about first loves and fate is technically an adult read but easily crosses to YA – set in both 1950s Tehran and present-day Boston)

 

  • It’s a Whole Spiel edited by Katherine Locke and Laura Silverman (cannot wait for this anthology with Jewish characters who are diverse in sexuality, race, and level of observance)

 

7. Do you write to music? If so, what artist were you listening to while writing TRUE?

The opening lines of the song 24 Frames by Jason Isbell made me think of Ruth: “This is how you make yourself vanish into nothing/And this is how you make yourself worthy of the love that she/Gave to you back when you didn’t own a beautiful thing.”

In a more vintage mood, I also made a Spotify playlist for TRUE – songs that Ruth (and Gracie and Davis) would have listened to and loved….and it really inspired me as I was trying to imagine the twists and turns, political and otherwise, of 1958

Great Balls of Fire — Jerry Lee Lewis

Sh-Boom — The Crew Cuts

Love me Tender — Elvis Presley

At the Hop — Danny and the Juniors

Wake Up Little Susie —The Everly Brothers

Blue Suede Shoes — Carl Perkins/Elvis Presley

In the Still of the Light — Five Satins

St. Thomas — Sonny Rollins

Rock Around the Clock — Bill Haley and His Comets

Tutti Fruitti — Little Richard

That’ll Be the Day — The Crickets

I Walk the Line — Johnny Cash and the Tennessee Twos

Why Do Fools Fall in Love — Teenagers

You Send Me — Sam Cooke

 

About the Author

 

Susan Carlton Credit Sharona Jacobs_HR

Susan Kaplan Carlton currently teaches writing at Boston University. She is the author of the YA novels Love & Haight and Lobsterland. Her writing has also appeared in Self, Elle, Mademoiselle, and Seventeen. She lived for a time with her family in Atlanta, where her daughters learned the finer points of etiquette from a little pink book and the power of social justice from their synagogue.

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I received a copy of this book from the publisher in exchange for an honest review. Quotes included are from an advanced reader copy and may not reflect the finalized copy.

All media belongs to the respective owners and is used here solely for the purpose of review and commentary.

 

Review: Descendant of the Crane by Joan He

Fans of political intrigue and machinations, secrets and deceit along the lines of Game of Thrones and the Earth Kingdom Ba Sing Se in Avatar the Last Airbender will find a deliciously well-written story in Joan He’s debut.

Hesina is in turmoil after the death of her father. With a country to run, a mysterious death to uncover, and so much uncertainty about both, what is she to do with so few allies in a court full of corners that hide troubles waiting to bite her in the back?

Bringing together her representative (Akira), her adoptive siblings (Lillian & Caiyain), her brother (Sanjing), and others, Hesina will face much darkness and worry, without and within, in her quest for justice.

 

43325703Amazon | Barnes & Noble | Book Depository | Goodreads | Indiebound
Published: 9 April 2019
Publisher: Albert Whitman & Company
Category: Young Adult/Fantasy

Tyrants cut out hearts. Rulers sacrifice their own.

Princess Hesina of Yan has always been eager to shirk the responsibilities of the crown, but when her beloved father is murdered, she’s thrust into power, suddenly the queen of an unstable kingdom. Determined to find her father’s killer, Hesina does something desperate: she engages the aid of a soothsayer—a treasonous act, punishable by death… because in Yan, magic was outlawed centuries ago.

Using the information illicitly provided by the sooth, and uncertain if she can trust even her family, Hesina turns to Akira—a brilliant and alluring investigator who’s also a convicted criminal with secrets of his own. With the future of her kingdom at stake, can Hesina find justice for her father? Or will the cost be too high?

In this shimmering Chinese-inspired fantasy, debut author Joan He introduces a determined and vulnerable young heroine struggling to do right in a world brimming with deception.

Rating: 4 Stars

CW: death of a parent, scenes involving cutting (voluntary & involuntary), execution by burning/hanging, blood (some scenes potentially gorey)

This is a hard review to write because I so want to just shout about it. The last few chapters had me yelling at my phone because of the developments that kept coming. Let me say now that Joan He is my favorite writer for cliffhangers and chapter endings. They were SUPERB and not just one, oh no. Chapter after chapter and I kept coming back for more, no matter how much my heart started hurting and my brain started twisting around all these new surprises.

The court intrigue from numerous angles, coupled with the trial regarding the murder of Hesina’s father, was pretty interesting. There were some what I think of as “side quests”, like Hesina going on a voyage for political negotiation with a neighboring country, that seemed a bit confusing. It felt like added some slowness to the pacing, though in hindsight the meeting was necessary. It wasn’t that the writing itself became affected, but at that stage the plotting choice made it seem like the story wasn’t sure what it wanted to be: a court drama, an epic travel tale, etc.

Things did get better, though, and Descendant of the Crane because so engaging that it was difficult to put down. Hesina was such a solid character, so well built with her humanity. She had strength, she had weakness, she had so many qualities that built her up into a person that, even with so much put upon her, from a murder trial to betrayals being uncovered and more, she still tried. There were outside forces making her question her very being and still she was doing her best.

I wanted so much for her to succeed as things were going along because you could see that she was a person who could have faith put in her, even if there were others that ended up feeling differently.

The supporting cast was equally as interesting, whether it was Lillian and her good humor and love of Hesina, Sanjin’s bullheaded loyalty, Caiyan’s intelligence, Rou’s utter sweetness. Then, however, there were the shadowy figures of the court: Xia Zhong (Hesina’s Minister of Rites); her own mother. If I as a reader were wary of these people surrounding her, how on earth must have Hesina have felt, trying to govern Yan while dealing with all of these loving and/or suspicious people? It’s enough to wreck the best of us!

Fans of intrigue, of twists, and of mysteries will find such a well woven story that they’ll likely want to go back and start reading Descendant of the Crane all over again once the last page is complete. All the better to pick up every last juicy, well crafted clue Joan He wove into her debut novel.

 

 

 

 

 

I received a copy of this book from the publisher in exchange for an honest review. Quotes included are from an advanced reader copy and may not reflect the finalized copy.

All media belongs to the respective owners and is used here solely for the purpose of review and commentary.